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Living Matter (feat. Gabriel de la Mora): The Preservation of Biological Materials in Contemporary Art
Living Matter (feat. Gabriel de la Mora): The Preservation of Biological Materials in Contemporary Art
Living Matter (feat. Gabriel de la Mora): The Preservation of Biological Materials in Contemporary Art
Living Matter (feat. Gabriel de la Mora): The Preservation of Biological Materials in Contemporary Art
  • Load image into Gallery viewer, Living Matter (feat. Gabriel de la Mora): The Preservation of Biological Materials in Contemporary Art
  • Load image into Gallery viewer, Living Matter (feat. Gabriel de la Mora): The Preservation of Biological Materials in Contemporary Art
  • Load image into Gallery viewer, Living Matter (feat. Gabriel de la Mora): The Preservation of Biological Materials in Contemporary Art
  • Load image into Gallery viewer, Living Matter (feat. Gabriel de la Mora): The Preservation of Biological Materials in Contemporary Art

Living Matter (feat. Gabriel de la Mora): The Preservation of Biological Materials in Contemporary Art

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Published by Getty Publications
Softcover, 260 pages
8.5 x 11 in
Edited by Rachel Rivenc and Kendra Roth 
ISBN: 9781606066874

From the publisher:
This innovative volume is the first to address the conservation of contemporary art incorporating biological materials such as plants, foods, bodily fluids, or genetically engineered organisms. 
 
Eggshells, flowers, onion peels, sponge cake, dried bread, breast milk, bacteria, living organisms—these are just a few of the biological materials that contemporary artists are using to make art. But how can works made from such perishable ingredients be preserved? And what logistical, ethical, and conceptual dilemmas might be posed by doing so?
 
Because they are prone to rapid decay, even complete disappearance, biological materials used in art pose a range of unique conservation challenges. This groundbreaking book probes the issues associated with displaying, collecting, and preserving these unique works of art. The twenty-four papers from the conference present a range of case studies, prominently featuring artists’ perspectives, as well as conceptual discussions, thereby affording a comprehensive and richly detailed overview of current thinking and practices on this topic. Living Matter is the first publication to explore broadly the role of biological materials in the creative process and present a variety of possible approaches to their preservation.