Women in Concrete Poetry 1959–1979
Women in Concrete Poetry 1959–1979
Women in Concrete Poetry 1959–1979
Women in Concrete Poetry 1959–1979
Women in Concrete Poetry 1959–1979
  • Load image into Gallery viewer, Women in Concrete Poetry 1959–1979
  • Load image into Gallery viewer, Women in Concrete Poetry 1959–1979
  • Load image into Gallery viewer, Women in Concrete Poetry 1959–1979
  • Load image into Gallery viewer, Women in Concrete Poetry 1959–1979
  • Load image into Gallery viewer, Women in Concrete Poetry 1959–1979

Women in Concrete Poetry 1959–1979

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Edited by Alex Balgiu, Mónica de la Torre
Published by Primary Information, 2020
Paperback, 480 pages
8 x 9 in 
Edition of 3500

ISBN: 9781734489729

Women in Concrete Poetry: 1959-1979 is expansive anthology focused on concrete poetry written by women in the groundbreaking movement’s early history. It features 50 writers and artists from Europe, Japan, Latin America, and the United States selected by editors Alex Balgiu and Mónica de la Torre.

Women in Concrete Poetry: 1959-1979 takes as its point of departure Materializzazione del linguaggio—the groundbreaking exhibition of visual and concrete poetry by women curated by Italian feminist artist Mirella Bentivoglio for the Venice Biennale in 1978. Through this exhibition and others she curated, Bentivoglio traced constellations of women artists working at the intersection of the verbal and visual who sought to “reactivate the atrophied tools of communication” and liberate words from the conventions of genre, gender, and the strictures of the patriarchy and normative syntax.

Artists and writers include Lenora de Barros, Ana Bella Geiger, and Mira Schendel from Brazil; Mirella Bentivoglio, Tomaso Binga, Liliana Landi, Anna Oberto, and Giovanna Sandri from Italy; Amanda Berenguer from Uruguay; Suzanne Bernard and Ilse Garnier from France; Blanca Calparsoro from Spain; Paula Claire and Jennifer Pike from the UK; Betty Danon from Turkey; Mirtha Dermisache from Argentina; Bohumila Grögerová from the Czech Republic; Ana Hatherly and Salette Tavares from Portugal; Madeline Gins, Mary Ellen Solt, Susan Howe, Liliane Lijn, and Rosmarie Waldrop from the US; Irma Blank and Ruth Wolf-Rehfeldt from Germany; Chima Sunada from Japan; and Katalin Ladik and Bogdanka Poznanović from the former Yugoslavia.

Text and images courtesy of Primary Information