JR - La Ferita, 25 Mars 2021, 19H07, Palazzo Strozzi, Florence, Italie, 2021
JR - La Ferita, 25 Mars 2021, 19H07, Palazzo Strozzi, Florence, Italie, 2021
JR - La Ferita, 25 Mars 2021, 19H07, Palazzo Strozzi, Florence, Italie, 2021
JR - La Ferita, 25 Mars 2021, 19H07, Palazzo Strozzi, Florence, Italie, 2021
JR - La Ferita, 25 Mars 2021, 19H07, Palazzo Strozzi, Florence, Italie, 2021
JR - La Ferita, 25 Mars 2021, 19H07, Palazzo Strozzi, Florence, Italie, 2021
  • Load image into Gallery viewer, JR - La Ferita, 25 Mars 2021, 19H07, Palazzo Strozzi, Florence, Italie, 2021
  • Load image into Gallery viewer, JR - La Ferita, 25 Mars 2021, 19H07, Palazzo Strozzi, Florence, Italie, 2021
  • Load image into Gallery viewer, JR - La Ferita, 25 Mars 2021, 19H07, Palazzo Strozzi, Florence, Italie, 2021
  • Load image into Gallery viewer, JR - La Ferita, 25 Mars 2021, 19H07, Palazzo Strozzi, Florence, Italie, 2021
  • Load image into Gallery viewer, JR - La Ferita, 25 Mars 2021, 19H07, Palazzo Strozzi, Florence, Italie, 2021
  • Load image into Gallery viewer, JR - La Ferita, 25 Mars 2021, 19H07, Palazzo Strozzi, Florence, Italie, 2021

JR - La Ferita, 25 Mars 2021, 19H07, Palazzo Strozzi, Florence, Italie, 2021

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Produced by Social Animals, 2021
14 color lithograph printed on Marinoni machine
BFK Rives white paper, 300 gram
100 x 70 cm | 39.3 x 27.5 in
Edition of 180
Signed, numbered, and stamped by the artist

From the publisher

La Ferita (The Wound) imagines the Palazzo Strozzi with a deep gash revealing the interior of the Renaissance building with some of Florence’s most iconic artworks occupying the space. Measuring 28 meters tall and 33 meters wide, the monumental photographic collage installation covers the primary facade of the Palazzo Strozzi and works like an anamorphosis, an illusion in which, observed from a specific viewpoint, various areas of the Palazzo Strozzi – the colonnade in the courtyard, an imaginary exhibition hall and a library – open up as a wound.

By including iconic works of Florence’s art heritage and directly citing real places such as the library of the Istituto Nazionale di Studi sul Rinascimento, JR proposes a direct and evocative reflection on accessibility not only to Palazzo Strozzi but to all cultural sites in the era of Covid-19.

Palazzo Strozzi becomes the spectacular stage for a symbolic yet painful wound suffered by all cultural institutions both in Italy and abroad: museums, libraries, cinemas and theatres forced either to restrict audience access or to shut down altogether. Looking « inside » Palazzo Strozzi also has the makings of an act of voyeurism designed to reveal that which cannot be seen: the depiction of a reality that goes beyond what one can customarily behold.