Produced by Kaikai Kiki Co. Ltd. 
70 x 56 cm  | 27.5 x 22 in
Acrylic-fiber plush and polyester stuffing
Embroidered details with two-sided design
Verso has additional flower cushion sewn on top

Limit of two per person/household please. Additional shipping fees may apply after purchase for select locations. 

Additional colors are available, please contact storeny@perrotin.com to inquire for additional information. 

Produced by Perrotin, 2025
Pigment print with varnish layers on Somerset enhanced White Satin 410gsm paper with deckled edge 
Print size: 44.4 x 52.5 cm | 17.5 x 20.7 in
Frame size: 50.8 x 59 cm | 20 x 23.5 in 
Limited edition of 35
Signed and numbered by the artist in graphite 

Framed version is hinge-mounted with white maple wood frame, and UV plexi surface. Additional shipping fees may apply after purchase depending on location.

Produced by the artist, 2025
Metal keychain with key-ring and custom packaging
Medallion: 5ø cm | 2ø in
Open editions

Shipping may be refunded after purchase, depending order total and location. Each design is sold separately.

Made on the occasion of the artist's exhibition titled "Big Picture" on view at Perrotin Los Angeles from May 31 - July 3, 2025. Learn more here.

Produced by Avant Arte at Make-Ready studio, 2025
Silkscreen with neon ink, hand-drawn illustration by artist on verso 
70 x 55.3 cm | 27.56 × 21.77 in
Edition of 667
Signed and numbered by the artist, with CoA

From the publisher: Barry McGee hand-finishes a new limited edition print uniting signature motif and striking pattern. 

The Bay Area’s favourite underground art son resurfaces his Everyman heads – an emblem of San Francisco’s marginalised communities and outsiders everywhere – resting them on bold geometric prints. Both come vividly to life in a silkscreen layer of neon ink rendered by the printers at Make-Ready.

Each edition bears a unique illustration, hand-drawn by the artist at the rear. The drawing is visible through a purpose-built window.

Also signed by the artist, this print represent the chance to own a one-off piece by Barry, a pioneer of the Mission School movement, that embodies his coexisting legend across fine art and graffiti.

Hand-made by the artist and Chiso, 2025
Washi paper, fine bone bamboo, cypress wood stand, custom branded box
Fan: 41.5 cm x 27.5 cm | 16.4 x 10.8 in
Box: 41 x 29.5 x 2.5 cm | 16.1 x 11.6 x 1 in
Made in a limited quantity in Japan 
Slight variations in each piece as they are hand-made

Produced on the occasion of the exhibition Izumi Kato x Chiso: Paintings and Kimono. On view in Kyoto through Sept. 2nd, 2025. 

Produced by Perrotin, 2025
Lithograph with hand-painted watercolor by the artist
250 gsm BFK Rives paper with deckled edge
12 x 9.8 in | 30.5 x 25 cm 
Edition of 35 + 5AP + 5SP
Signed and numbered by the artist in graphite

Two additional prints from the series are available here. Limit of one of each design for each household please. Perrotin reserves the right to cancel any sale for any reason.  

This print ships from Perrotin New York mid-May 2025. Additional shipping fees may apply after purchase depending on location.

About the series:
Coinciding with GaHee Park’s solo exhibition Not Quite Tomorrow at Perrotin Paris is the release of three new lithographs made in a limited edition of 35 and then painted with watercolor by the artist. 

Printed at Idem Paris, each work reflects Park’s signature motifs and visual language. Lovers in the Lake captures an intimate moment between two figures, while Visitor at Seafood Planet reimagines the still life tradition with an eerie, surrealist twist. Park’s stylized compositions and distinctive use of pictorial space suspend her subjects in a collapse of time and place as in Moment in Between, where the subject exists in a fragmented state of being. In this suite of lithographs, Park creates a world that delicately fluctuates between quiet contemplation and ambiguity.

Produced by Takashi Murakami / Kaikai Kiki Co. Ltd, 2022
Offset print, cold stamp and high gloss varnish
Print size: 17ø cm | 28ø in 
Frame size: 78 x 78 cm | 31 x 31 in 
Edition of 300
Signed and numbered by the artist 
Perrotin stocks numbers 144 and lower 

Additional shipping charges may apply after purchase depending on location. Ships flat-packaged in original Kaikai Kiki packaging. Framed version is recommended for local clients.

Produced by Daniel Arsham x Hajima Sorayama with Medicom, 2019
Painted cast vinyl with reflective elements
Figure: 72 x 34 x 24 cm | 28.5 x 13.24 x 9.5 in 
Box: 78.7 x 40.6 x 30.5 cm | 31 x 16 x 12 in 
Original edition box and outer box included
Perrotin stocks # 249, 253, 441 in series 

Ages 15+, please take care not to pinch fingers in joints when adjusting sculpture.  
Display on a stable surface. Do not expose to heaters or high temperatures. 

Published by Royal Museum of Fine Arts Belgium x Petzel, 2025
Hardcover, 156 pages
22.9 x 28 cm | 9 x 11 in
ISBN: 9789077013366

Orders placed now are signed by the artist. Copies are in very good but not perfectly pristine condition. Limit one per person / household please. 

From the publisher:
In his foreword, Kim Ooosterlinck, General Director of the Royal Museums of Fine Arts of Belgium, illuminates the significance of the artist’s contribution: Smith represents the first woman contemporary artist to be hosted by the Magritte Museum. Magritte’s influence on Smith is profound: she makes direct reference to him through her work, placing an apple, a burnt-out candle, and rocks in her compositions. While inspired by the iconic artist, Smith also extends her own shrewd, feminist-informed approach, challenging the gatekept, and often exclusionary, art historical conventions which Magritte himself helped seal into place. Approaching the female body, particularly the nude, with a female gaze, Smith questions the relationship between gender, surrealism, and the institution of painting itself.

In her expansive essay, writer and curator Virginie Devillez unpacks the salient motifs and modalities of Smith’s visual vocabulary, including Smith’s appropriations of (and responses to) her Surrealist forebearers. In this way, the reader is exposed to the full range of Smith’s representational strategies, drawing on Surrealism and Pop Art, in addition to Neoclassical allusions, Symbolist works, Art Nouveau magazines, and more. Lastly, Devillez generates a comparative study of both Magritte and Smith’s biographies, revealing surprising convergences between the artists’ lived experiences.

Co-published by Perrotin, 2014
Hardcover, 96 pages
10 x 13.5 in 
Text by John Yau, Alain Badiou, Hans-Ulrich Obrist
ISBN: 9780986060694

This title is rare and out of print. Copies in stock remain in pristine condition.

Pierre Soulages has gained international recognition as a prominent figure of both art informel, which arose in France during World War II, and abstract expressionism, its American counterpart. From the 1940s to the 1970s, black progressively conquered the surface of Soulages’s calligraphic abstract paintings, which also incorporated subtle hints of color (mainly ocher and blue). His aesthetics radically shifted toward monochrome in 1979, when he initiated his lifelong series Outrenoir. He has been known as “the painter of black and light” ever since. Literally translating as “beyond black,” Outrenoir opens onto a new realm that transcends purely gestural and monochromatic abstraction. Systematically applied in thick layers on canvas, black paint is meticulously scraped, striated, and overall sculpted to create smooth or rough areas that reflect light in various ways. By masterfully turning black into a luminous color, Soulages powerfully evokes the genesis of the world, which came out of darkness.