Produced by Perrotin, 2020
5 color lithograph on BFK Rives 270 grams
Paper Sizes: 69 x 62 cm | 27.2 x 24.4 in 
Image Sizes: 59 x 48 cm | 23.2 x 18.9 in 
Edition of 75 + 5HC + 5AP
Signed, numbered, and dated by the artist 

This series is sold exclusively in sets of matching edition numbers. There is a limit of 1 set per person and household. We are currently offering set numbers 10, 11, 12, 13, and 14 of 75. 

This series is available for in-store pick up only from Perrotin locations in New York, Paris, Tokyo, Shanghai, and Seoul. Contact us at storeny@perrotin.com to inquire. 

Perrotin reserves the right to cancel any sale with fraud alerts or for lack of timely correspondence regarding the order. 

Produced from Item Éditions in Paris, 2020 
Set of 6 lithographs on Japanese washi paper, with custom linen case
Paper size: 78 x 58 cm | 30.7 x 23 in 
Each is edition #17 of 36

This complete set includes: 

Untitled 31, 2020
Untitled 32, 2020
Untitled 33, 2020
Untitled 34, 2020
Untitled 35, 2020
Untitled 36, 2020 

This print set is available exclusively for in-store pick up. Please contact storeny@perrotin.com to schedule a viewing or for any additional questions about this series. 

Produced by AvantArte, printed by Coriander, 2019
Mix media (screen print, collage pigment print and high gloss varnish) finished with a mahogany veneer edge on Somerset En Satin 410gsm.
70 x 51.6 cm | 27.5 x 20 in
Edition of 50, numbered and signed by the artist.
Comes with a certificate of authenticity that is also numbered and signed.

This print ships flat. 
To order from our Paris location please visit here. 

About the artist:

Zach Harris’s carved panel paintings unfold complex utopian and dystopian worlds. His psychedelic visions, which almost verge on abstraction, immerse viewers in the unfathomable depths of mysterious cosmologies. The art-historical density of his aesthetics is haunting, in a sense similar to that of late-nineteenth-century symbolism. While the bright coloring of his obsessively detailed paintings is reminiscent of the highly demanding ornamental quality of Persian miniatures, his intricate hand- or laser-engraved frames evoke the elaborate woodwork of Christian altarpieces. Harris is a fervent practitioner of meditation, and the meticulous repetition of painted or carved patterns and motifs within his compositions operates like a mantra. At the same time, it creates a hallucinatory play between the materiality of the relief and its optical illusion, bringing to mind the radial vibrancy and spiritual dimension of Tibetan mandalas. His syncretic art suggests timeless rituals, which, whether lost or prescient, have yet to be deciphered.

In celebration of Daniel Arsham's exhibition "Time Dilation", this previously sold-out edition is available for purchase in a limited quantity from Perrotin New York. 

Produced by Arsham Studio, 2018
56 x 8.9 x 14 cm | 22 x 3.5 x 9.5 in  
Plaster, crushed glass 
Includes all original packaging: custom foam-lined box, holographic authenticity label, art handling gloves. 
Limited edition of 500

Future Relic 09: Keyboard ships free within the continental U.S., orders placed outside the U.S. will require an additional shipping fee by quote after purchase. 

About the artist:

Daniel Arsham’s uchronic aesthetics revolves around his concept of fictional archaeology. Working in sculpture, architecture, drawing and film, he creates and crystallizes ambiguous in-between spaces or situations, and further stages what he refers to as future relics of the present. They are eroded casts of modern artifacts and contemporary human figures, which he expertly makes out of some geological material such as sand, selenite or volcanic ash for them to appear as if they had just been unearthed after being buried for ages. Always iconic, most of the objects that he turns into stone refer to the late 20th century or millennial era, when technological obsolescence unprecedentedly accelerated along with the digital dematerialization of our world. While the present, the future and the past poetically collide in his haunted yet playful visions between romanticism and pop art, Daniel Arsham also experiments with the timelessness of certain symbols and gestures across cultures.

Published by Perrotin, 2020
Hardcover, 80 pages, 28 illustrations
23 x 31 cm | 9 x 12 in 
Texts by Alfred Pacquement, Camille Morando

ISBN: 9791091539227

This exhibition catalog presents a series of "Outrenoirs" by Pierre Soulages, produced between 1986 and 2018. It alternates between exhibition views, photographs of the works themselves, and details images. It is accompanied with a text by Alfred Pacquement as well as a chronology by Camille Morando. This book follows Pierre Soulages' exhibition at the Perrotin gallery in Shanghai, which was on view from November 5th to December 28th, 2019.

Archival pigment print + silkscreen 
Edition of 50 + 15AP + 15SP +1HC
Signed and numbered by the artist 

Sheet size: 31.2 x 22.2 cm | 12.2 x 8.74 in
Image size:  25 x 16.9 cm | 9.8 x 6.65 in 

© 2020 Aya Takano / Kaikai Kiki Co., Ltd. All Rights Reserved.

About the artist:

Painter, illustrator, sci-fi writer and manga artist, Aya Takano belongs to Kaikai Kiki, the artistic production studio created in 2001 by Takashi Murakami. Inspired by all art forms, from erotic stamps of the Edo Period to impressionism, from Osamu Tezuka to Gustav Klimt, the artist has built a universe all her own. A universe made of infinite worlds, all means of escaping reality, gravity and its restraints, to attain a certain form of transcendence.

Aya Takano’s inner journeys wind their way into delicate works that convey a disturbing impression, somewhere between eroticism and impertinence. In a bedroom or in the metro, in front of the skyscrapers of a megalopolis or on the moon, naïve and androgynous girls are sketched out in thin, sharp lines. The artist’s mythology has constructed itself little by little, through her creations and visions of the unknown. In March 2011, a violent tsunami struck the northeastern coasts of Japan and led to the nuclear accident of Fukushima. A real wake-up call for the artist, this catastrophe deeply influenced her work. Preferring oil paint, which is more natural, to acrylic paint, for example, Aya Takano seems to pursue a new artistic quest, both humble and spiritual, influenced by a unique interest in science and guided by an absolute respect for nature and human life.

Produced by Social Animals, 2021
7 color lithograph printed on Marinoni machine
White BFK Rives paper, 270 grams
100 x 70 cm | 39.5 x 27.5 inches 
Edition of 180
Signed, numbered, and stamped by the artist 

From the producer:

After winning the TED Prize on March 2, 2011, French-artist JR launched the Inside Out Project, in his first TED Talk. Using his own artistic practice as inspiration, this participatory platform gives individuals and communities the opportunity to make a statement by displaying large-scale black and white portraits in public spaces. Through their “actions,” communities around the world have sparked collaborations and conversations. 
 
Over the past decade more than 400,000 people spanning across 138 countries have participated in the Inside Out Project. The project reached all 5 continents, with over 2,000 actions created. Actions have revolved around a range of topics: diversity, community, feminism, racism, climate change, education, children’s rights and art are just a few of them. Posters are displayed in outdoor spaces that are visible to the public. These Group Action pastings are documented, archived and visible online at www.insideoutproject.net.

This image is taken from the 2013 action in Times Square, NYC  where 5,916 posters  were pasted. 

Produced by Utopia x Parley, 2020 
Created from up-cycled ocean plastic waste
Edition of 100 + 8AP
5 x 3 feet / 60 x 36 in

Featured artwork: Ondes 110 n °8, 1974

Each flag funds the removal of 20 pounds of marine plastic waste by the Parley Global Cleanup Network. Learn more about the effort at parley.tv. 

From the producer:

The oceans give us life. Join the movement to protect them from marine plastic pollution with this limited-edition artist flag made with Ocean Plastic by Parley. This flag is created from approximately five plastic bottles recovered from island communities and coastlines by our global cleanup network. Your purchase supports Parley's education and innovation projects.

Franco-Argentinian artist Julio Le Parc is a major figure in the realm of kinetic and contemporary art. In 1959, he began to create geometrical abstract paintings based on predetermined systems, and over the years expanded his practice into three dimensions. Introducing movement and light, he pioneered the active involvement of the spectator. Le Parc was a co-founder of the Groupe de Recherche d'Art Visual in 1960. He was awarded the main painting prize at the 1966 Venice Biennale and has pretend his work in numerous art institutions all over the world. As a defender of human rights, he fought against dictatorship in Latin America through numerous collective anti-fascist projects.

Handmade in porcelain
Open edition
Signed on bottom
1.5 x 1.5 x 3 in | 3.8 x 7.6 2.5 cm

Explore the Viewing Salon

About the artist:

Stephanie H. Shih is a Taiwanese American artist exploring concepts of home, not just as a physical place, but also as cultural, generational, and emotional spaces we inhabit. Her work has been shown at the American Museum of Ceramic Art (Pomona, CA), Wieden Kennedy (Portland, OR), and Hashimoto Contemporary (San Francisco, CA) and featured by NPR, Los Angeles Times, Vogue, The New York Times, and The New Yorker. She lives in Brooklyn, NY. 

Exhibition poster, produced by Perrotin, 2020
Offset print
70 x 50 cm | 27.5 x 19.6 in

Signed: 
Limited Edition of 100
Signed + numbered by the artist 

Standard:
Open edition 

About the artist: 

Hernan Bas’s expressionist and highly detailed figurative paintings are openly inspired by late-nineteenth-century decadent art and literature, as well as the concurrent symbolist and decorative style of the French group Les Nabis. Though aesthetically grounded in the iconography of the male androgynous dandy, the young protagonists of his oneiric visions are usually portrayed alone or in small groups, in attitudes of pure flânerie. Whether confined to the intimacy of a genre scene or lost in the vertigo of a dense, lush, romantic landscape, they inhabit a fantasized world of implicit eroticism and ambiguous sensuality. Always appearing as if suspended in time, between adolescence and adulthood, they embody a fragile in-between state that the artist refers to as “fag limbo.” With a flamboyant palette and a refined touch, Bas revisits and reinterprets, in masterly fashion, the various categories of classical painting from a homoerotic perspective that is seemingly melancholic yet often humorous and witty.