Published by Rizzoli, 2022
Linen hardcover with plastic slip, 320 pages
30.5 x 22 x 5 cm | 12 x 8.6 x 2 in 
Cover colors come in pink or blue at random

ISBN: 9780847858637

Limit of 2 per person / household please. Signed copies will also be available from Perrotin Paris at a public book signing on October 8th. 

From the publisher:

The first and much-anticipated book by visual artist, club creator, and nightlife impresario André Saraiva presents his wide range of works, from street art and contemporary art to graphic design, photography, and his influences on fashion and nightlife.

André Saraiva, whose life dovetails into graffiti subculture, chic jet-setting, and the fashion world, presents an autobiographical visual diary of sorts, a revealing window into the worlds he inhabits. This visual journey is an interactive and striking object itself, with either a vibrant pink cloth- or blue cloth-cover, Saraiva’s distinctive handwriting in foil, and seven pop-ups he designed. 

Chances are that while you’ve been strolling through the streets of Paris, London, New York, or Los Angeles, you may have caught a glimpse of Saraiva’s signature graffiti of Mr. A on a random street wall. Or you may have seen him in the Banksy film, Exit Through the Gift Shop; spied him in the front rows of the Paris Fashion Week shows; or seen him at one of his many chic nightclubs. Graffiti Life is a never-before-seen look at the artist’s many spheres through which he effortlessly moves: street culture, contemporary art, graphic design, photography, fashion, and nightlife. It follows Saraiva’s art/life trajectory, and includes his Instagram-worthy tags on the streets of Paris; countless silk-screened posters; paintings and sculpture; creative collaborations with Chanel, Louis Vuitton, and Colette, and more. 

Published by Perrotin, 2021
Hardcover, 212 pages with 178 illustrations
20.5 x 27 cm | 8 x 10.6 in
ISBN: 9791091539241
Text in English

Please note: Signed copies are in varied condition. 

This richly illustrated monograph by Klara Kristalova features the artist's ink and watercolor works on paper, stoneware sculptures, and installation views. The book opens with text by Fanni Fetzer, Director of the Kustmuseum Luzern. 

Produced by Kaikai Kiki Co. Ltd., 2020
Painted Japanese Mizuki timber wood with standing label and custom engraved box
9 x 7.5 x 5 cm | 3.5 x 3 x 2 in each 
Limited edition of 1000 with numbered certificate of authenticity 
Signed box by the artist

Limit 2 per person/household please. 

Published by Princeton University Press, 2022
Hardcover, 300 pages
8.5 x 11 in
Text in English, Edited by Larry Warsh
ISBN: 9780691234267

PLEASE NOTE: Remaining signed copies are in good, but not pristine condition. 

Limit of two signed copies per person/household. Please checkout carefully and completely to avoid fraud cancellations. Perrotin has the right to cancel any sale for any reason. 

To order a Standard copy without signature please visit the link here. 

About the book: 
Sketchbook reproduces original working drawings and sketches by the contemporary American artist and designer Daniel Arsham, whose work freely crosses the boundaries of art, architecture, film, and design, and also speaks to fans of pop culture, including sneakerheads, car enthusiasts, and anime devotees. Spanning a decade and featuring previously unpublished drawings by this highly skilled draftsman, this beautifully produced facsimile edition provides an unprecedented, intimate look at Arsham’s working process, revealing a new side of an extraordinary creative mind.

Published in association with No More Rulers

Produced by the artist, 1974
Lithograph (ink roller and spatula) on BFK Rives vellum paper
Image size: 64.3 x 86.7 cm | 25 5/16 x 34 1/8 in
Sheet size: 75.5 x 104.5 cm | 29 3/4 x 41 1/8 in
Edition of 70

This lithograph is available without frame. To inquire about framing please contact storeny@perrotin.com

About the artist:

Hans Hartung achieved international recognition as a seminal figure of art informel, which arose in France during World War II. Beyond the apparent spontaneity of his distinctively bold and almost calligraphic gestural abstraction, rationalism equally informed his style, which arose out of an early interest in the relationship between aesthetics and mathematics—particularly the harmony of the golden ratio—but also out of necessity: early in his career, he meticulously squared up his successful abstract sketches in order to reproduce them on larger canvases, which he could not afford to risk losing to improvisation. The Grand International Prize for Painting, which he won at the 1960 Venice Biennale, marked a decisive turn in his practice. Hartung began improvising directly onto canvas and experimenting with new media, namely fast-drying acrylic and vinyl paints, as well as scraping and spraying techniques. The quest for balance between spontaneity and perfection remained at the core of Hartung’s painterly aesthetics until the end of his life, in 1989.

Produced by Perrotin, 2022
Offset print 240 gsm paper
70 x 50 cm | 27.5 x 19.6 in 
Open edition

Signed version of this poster is available here. 

Produced on the occasion of the exhibition Was Geht Uns Die Sonne An (What Does The Sun Matter to Us). On view at Perrotin New York from June 23rd - July 29th, 2022. 

About the artist:

Co-published by Galerie Perrotin and Kaikai Kiki Co. Ltd., 2010
Text by Jennifer Higgie
Hardcover with dust jacket, 144 pages
21.7 x 27.7 cm | 8.5 x 11 in
Texts in English and French

ISBN: 9782953279719

This title is out of print. Stock is limited. Limit of 2 per person/household please. 

Painter, illustrator, sci-fi writer and manga artist, Aya Takano belongs to Kaikai Kiki, the artistic production studio created in 2001 by Takashi Murakami. Inspired by all art forms, from erotic stamps of the Edo Period to impressionism, from Osamu Tezuka to Gustav Klimt, the artist has built a universe all her own. A universe made of infinite worlds, all means of escaping reality, gravity and its restraints, to attain a certain form of transcendence.

Aya Takano’s inner journeys wind their way into delicate works that convey a disturbing impression, somewhere between eroticism and impertinence. In a bedroom or in the metro, in front of the skyscrapers of a megalopolis or on the moon, naïve and androgynous girls are sketched out in thin, sharp lines. The artist’s mythology has constructed itself little by little, through her creations and visions of the unknown. In March 2011, a violent tsunami struck the northeastern coasts of Japan and led to the nuclear accident of Fukushima. A real wake-up call for the artist, this catastrophe deeply influenced her work. Preferring oil paint, which is more natural, to acrylic paint, for example, Aya Takano seems to pursue a new artistic quest, both humble and spiritual, influenced by a unique interest in science and guided by an absolute respect for nature and human life.

Produced by Perrotin, 2022
100% cotton t-shirt
Made in France

Unisex sizes: Small, Medium, Large

Perrotin reserves the right to cancel any sale for any reason. Please check out carefully and completely to avoid fraud cancellations. 

Size Guide:

SMALL
Shoulder to shoulder: 43.5 cm | 17 in
Length: 68 cm | 26.5 in
Torso width: 49 cm | 19 in

MEDIUM
Shoulder to shoulder: 47.5 cm | 18.7 in
Length: 72.5 cm | 28.5 in
Torso width: 52 cm | 20.5 in

Produced by Perrotin, 2021
Gypsum cast by the artist with oil paint patina
25.4 x 20.3 x 2.6 cm | 10 x 8 x 1 in
Enclosed with high density foam in a custom-made box with blue hot-stamping
Edition of 25 + 5AP + 5 Proofs
Signed and numbered on verso

Limit of 1 per person. 

About the artist:

Chicago-based artist John Henderson expands and develops an engagement with abstract painting and the conditions for its contemporary practice. Making use of a variety of technologies and techniques—molds, castings, digital printing, video, and photography—Henderson reforms, revises, and reproduces the manual painterly expression, invoking Minimalism and Abstract Expressionism while acknowledging a distance from their unmediated practice.

John Henderson has had solo exhibitions at venues including Galerie Perrotin New York, Hong Kong, and Paris; Proyectos Monclova, Mexico City; T293, Naples and Rome; Carl Kostyál, London; Peep-Hole, Milan; and the Museum of Contemporary Art Chicago. His work has been included in group exhibitions such as Per_forming a collection #3, Museo MADRE, Naples, Italy; Anamericana, American Academy in Rome; Expanded Painting, Prague Biennale 6; and Phantom Limb: Approaches to Painting Today, Museum of Contemporary Art Chicago. Henderson’s work is featured in the collections of Moderna Museet, Stockholm; the Museum of Contemporary Art Chicago; Museo Madre, Naples; and Walker Art Center, Minneapolis.

Produced by the artist, 1975 - present
22.9 x 15.2 cm | 9 x 6 in
Mohawk Vellum 65lb acid-free archival paper
Crystal clear polypropylene archival slipcover
Unique in series of 450

Each Sketchbook includes a signed, original drawing in red archival ink bound directly into the book. Sketchbooks are hand numbered by the artist. Each Sketchbook is protected by an acid-free book jacket with a replica of the original drawing inside sketchbook. 

Many dozens of Barbara Nessim’s sketchbooks up to the present day, shelved
chronologically in her studio, reflect the creative traffic between her different
modes of production. Since the early 1960s, Nessim has had her sketchbooks,
as both an aesthetic sounding board and also a platform for ideating her
innovative illustration art.

Responding to the 1950s’ social pressures for women as objects of fantasy,
Nessim’s clever and insightful counter-narratives go beyond strictly conforming to feminist art’s rejection of sexualized treatments of women’s bodies. Nessim’s engagement with cultural conceptions of womanhood, female identity and conventions of beauty naturally continues into her current work.

About the artist:

Barbara Nessim (b. 1939, Bronx, NY) is an artist whose daring and prolific
work, spanning five decades, defies narrow categorization. In its broadest sense, her artistic production has straddled fine art and illustration, all the while pushing against and reshaping the boundaries of the separation between the two fields. Nessim was one of the first artists in her profession to explore and make extensive use of the computer as an artistic tool at the dawn of the computer age in the early 1980s. Nessim’s artworks have been exhibited at numerous institutions in North America, Europe, and Asia, including the Louvre, The Whitney Museum, The Cooper Hewitt Museum, The Smithsonian Institute and The Norman Rockwell Museum. Her work has graced the covers of Time, Rolling Stone, and The New York Times Magazine among others. Honors include the Pratt Lifetime Achievement Award (2015) and induction into the Society of Illustrators Hall of Fame (2020). Notable solo exhibitions include London’s Victoria & Albert Museum (2013), Bard Graduate Center Gallery (2015), and Malin Gallery (2021). The Victoria & Albert now holds eighty of Nessim’s works in their permanent collection.