Produced by the artist, 1974
Lithograph (ink roller and spatula) on BFK Rives vellum paper
Image size: 64.3 x 86.7 cm | 25 5/16 x 34 1/8 in
Sheet size: 75.5 x 104.5 cm | 29 3/4 x 41 1/8 in
Frame size: 110.5 x 81.3 cm | 43.5 x 32 in
Edition of 70

This lithograph is available with or without frame. To inquire about the framed version please contact storeny@perrotin.com

About the artist:

Hans Hartung achieved international recognition as a seminal figure of art informel, which arose in France during World War II. Beyond the apparent spontaneity of his distinctively bold and almost calligraphic gestural abstraction, rationalism equally informed his style, which arose out of an early interest in the relationship between aesthetics and mathematics—particularly the harmony of the golden ratio—but also out of necessity: early in his career, he meticulously squared up his successful abstract sketches in order to reproduce them on larger canvases, which he could not afford to risk losing to improvisation. The Grand International Prize for Painting, which he won at the 1960 Venice Biennale, marked a decisive turn in his practice. Hartung began improvising directly onto canvas and experimenting with new media, namely fast-drying acrylic and vinyl paints, as well as scraping and spraying techniques. The quest for balance between spontaneity and perfection remained at the core of Hartung’s painterly aesthetics until the end of his life, in 1989.

Hand-made by the artist, 2021
Ceramic dish
4 x 21 x 16 cm | 1.6 x 8.25 x 6.3 in
Unique in series 

Item: 62149

祥瑞手 Shonzuite: A type of high-quality blue and white porcelain inspired by the imperial ceramics of China’s Ming dynasty (1368-1644). At the end of the 1600s in Japan, such wares were imported from China for use in the tea ceremony by Japanese nobility and religious leaders.

Published by Perrotin, 2023
16.8 x 24 cm | 6.6 x 9.4 in
Hardcover, 128 pages
Text in English and French

Published on the occasion of the eponymous exhibition in Perrotin Paris on view from January 7th - March 11th, 2023. A set of sculpture-paintings, paintings and drawings of the artist made over the period 2020-2022, accompanied by a text by fashion historian and artistic director Oliver Saillard. 

ISBN: 9791091539364

Produced by Kaikai Kiki Co. Ltd.
82% cotton, 18% polyester 
Unisex sizing
Images courtesy of Kaikai Kiki Co. Ltd.

Size Guide:

SMALL
Length: 65.5 cm | 26 in
Torso width: 56.5 cm | 22.25 in

MEDIUM
Length: 68.5 cm | 27 in
Torso width: 59 cm | 23.25 in

Published by Mack, 2022
Swiss bound paperback with silkscreen gauze on spine
18 gatefolds, 2 paper stocks, 282 pages
24.5 x 32 cm | 9.7 x 12.6 in
Includes 19 x 23.5 inch poster insert in back cover 
Essays by Marina Chao, Renee Gladman, Catherine Lord, and Ariana Reines

ISBN: 9781913620561

About the book:

Shortlisted for the Paris Photo–Aperture PhotoBook Awards 2022

‘A quantum leap in Kurland’s practice … It might just be as sharp and clear-sighted a skewering of the male canon ... as you’ll ever witness.’ AnOther

Skillful, versatile, and refreshingly analog … The past can’t just vanish with a finger snap, but rather must be dealt with in a complex case-by-case way – preferably a gleeful one, and maybe involving a razor.’ Artforum

Produced by Library Street Collective with Louis Buhl & Co., 2021
Set of 5 offset prints
61 x 91.5 cm | 24 x 36 in each 
Open edition 

There is a limit of 2 sets per person / household. These prints ship tubed and additional shipping charges may apply after checkout depending on location. Please enter full and accurate billing details when purchasing to avoid fraud alerts for your order. Perrotin reserves the right to cancel any order for any reason. 

Posters can be purchased individually, please see here. 

About the project:
This series was produced on the occasion of the artist's exhibition Turning Wrenches at the Library Street Collective, Detroit (June - August 2021). 

The five offset prints feature imagery pulled from the billboards Arsham exhibited for the Library Street Collective's 2021 Public Matter project titled Fictional Advertisements. 

A nod to the Detroit automotive industry and international car culture as a whole, the billboards included in the public installation present fictional vintage advertisements for Arsham’s altered and eroded car artworks. These uncanny ads invite their viewers to purchase vehicles for their own journey into the past or the future—time travel machines that can be personally owned and managed. There is a discussion at hand about the juxtaposition of eroding human-produced objects, the tenacity of geological materials that aid in efforts toward time travel, and the overall significant role time plays in the conversation.

Produced by Social Animals, 2022
14 color lithograph printed on Marinoni machine
270 gram BFK Rives white paper with deckled edges
70 x 100 cm | 27.5 x 39.5 in
Edition of 180
Signed, numbered, and stamped by the artist

Limit of two per person / household please. 

Produced by Kaikai Kiki Co., Ltd. All Rights Reserved., 2020
Silkscreen on coffee paper filter
29.3 x 30.3 cm | 11.5 x 12 in 
Edition of 50 + 15AP + 15SP
Each print is signed and numbered by the artist.

Produced by Perrotin, 2022
100% cotton t-shirt
Made in France

Unisex sizes: Small, Medium, Large

Perrotin reserves the right to cancel any sale for any reason. Please check out carefully and completely to avoid fraud cancellations. 

Size Guide:

SMALL
Shoulder to shoulder: 43.5 cm | 17 in
Length: 68 cm | 26.5 in
Torso width: 49 cm | 19 in

MEDIUM
Shoulder to shoulder: 47.5 cm | 18.7 in
Length: 72.5 cm | 28.5 in
Torso width: 52 cm | 20.5 in