Produced by the artist in collaboration with Variable Editions, 2022
Acrylic paint and silkscreen ink on woven paper
49.5 x 76.2 cm | 19.5 x 30 in each
Unique in a series of 10 works + 3AP + 3PP
$5,000 each
Comes with certificate of authenticity. Each artwork is signed by the artist on recto and titled on verso with holographic sticker of authenticity. A portion of the proceeds benefits PrEP4All - a charity increasing healthcare access for patients diagnosed with HIV. 

List of available pieces from Perrotin New York:
1.1 Little Bunny Foo Foo, Now Up On The Menu, 2022
1.2 Sick Hottie Dottie, 2022
1.7 Rocka Rolla, 2022
1.9 Organic Goodness, 2022
1.10 Bon Appétit, 2022

Perrotin stocks 5 pieces from the series of 10, which will be sold exclusively in-person at Perrotin New York. Please visit us at 130 Orchard Street during open hours to view the series and purchase. There is a limit of one piece per person / household. 

To add yourself to the inquiry waiting list please email storeny@perrotin.com with the subject line: Ryan Wilde x Variable Editions Waiting List. Include your full name, shipping address, phone number. To inquire about other artworks from the series please contact Variable Editions. 

50 x 64 cm | 19.6 x 25.2 in
Open edition

Published on the occasion of the Bernard Frize exhibition "Come to Me Again" on view at Perrotin New York from Jan. 15th - Feb. 19th, 2022. 

Signed version of this poster is available here. 

Published by Perrotin and Actes Sud, 2021
Hardcover, 64 pages
17 x 23 cm | 6.7 x 9 in
Texts in English and French 

ISBN: 9782330156459

Featuring interview with Christophe Leribault, director of the Petit Palais-Musée des Beaux-Arts de la Ville de Paris with Jean-Michel Othoniel.

From the publisher:

From September 28th, 2021 - January 2, 2022, the Petit Palais invites Jean-Michel Othoniel to inhabit the entire museum and its garden. This is the artist's largest solo exhibition in Paris since his "My Way" retrospective at the Center de Pompidou in 2011. 

Offset print
65 cm | 25.6 in diameter
Edition of 300
Signed and numbered by artist

Published by Perrotin, 2021
Softcover with cloth spine, 144 pages
15.5 x 10 cm  |  6.1 x 4 in

ISBN: 9791091539272

Limit of 5 copies per person/household. 

Published on the occasion of the exhibition Fuzz Gathering at Perrotin Paris, Oct - Dec, 2021. 

Produced by Library Street Collective with Louis Buhl & Co., 2021
Set of 5 offset prints
61 x 91.5 cm | 24 x 36 in each 
Open edition 

There is a limit of 2 sets per person / household. These prints ship tubed and additional shipping charges may apply after checkout depending on location. Please enter full and accurate billing details when purchasing to avoid fraud alerts for your order. Perrotin reserves the right to cancel any order for any reason. 

About the project:

This series was produced on the occasion of the artist's exhibition Turning Wrenches at the Library Street Collective, Detroit (June - August 2021). 

The five offset prints feature imagery pulled from the billboards Arsham exhibited for the Library Street Collective's 2021 Public Matter project titled Fictional Advertisements. 

A nod to the Detroit automotive industry and international car culture as a whole, the billboards included in the public installation present fictional vintage advertisements for Arsham’s altered and eroded car artworks. These uncanny ads invite their viewers to purchase vehicles for their own journey into the past or the future—time travel machines that can be personally owned and managed. There is a discussion at hand about the juxtaposition of eroding human-produced objects, the tenacity of geological materials that aid in efforts toward time travel, and the overall significant role time plays in the conversation.

Produced by Kaikai Kiki Co. Ltd.
100% cotton canvas tote bag with gusset pleat on bottom
Silkscreen printed text and logo detail on verso
40 x 48 cm | 15.75 x 18.9 in

Produced by the artist, 1974
Lithograph (ink roller and spatula) on BFK Rives vellum paper
Image size: 64.3 x 86.7 cm | 25 5/16 x 34 1/8 in
Sheet size: 75.5 x 104.5 cm | 29 3/4 x 41 1/8 in
Edition of 70

This lithograph is available without frame. To inquire about framing please contact storeny@perrotin.com

About the artist:

Hans Hartung achieved international recognition as a seminal figure of art informel, which arose in France during World War II. Beyond the apparent spontaneity of his distinctively bold and almost calligraphic gestural abstraction, rationalism equally informed his style, which arose out of an early interest in the relationship between aesthetics and mathematics—particularly the harmony of the golden ratio—but also out of necessity: early in his career, he meticulously squared up his successful abstract sketches in order to reproduce them on larger canvases, which he could not afford to risk losing to improvisation. The Grand International Prize for Painting, which he won at the 1960 Venice Biennale, marked a decisive turn in his practice. Hartung began improvising directly onto canvas and experimenting with new media, namely fast-drying acrylic and vinyl paints, as well as scraping and spraying techniques. The quest for balance between spontaneity and perfection remained at the core of Hartung’s painterly aesthetics until the end of his life, in 1989.

Produced by Perrotin, 2021
Gypsum cast by the artist with oil paint patina
25.4 x 20.3 x 2.6 cm | 10 x 8 x 1 in
Enclosed with high density foam in a custom-made box with blue hot-stamping
Edition of 25 + 5AP + 5 Proofs
Signed and numbered on verso

Limit of 1 per person. 

About the artist:

Chicago-based artist John Henderson expands and develops an engagement with abstract painting and the conditions for its contemporary practice. Making use of a variety of technologies and techniques—molds, castings, digital printing, video, and photography—Henderson reforms, revises, and reproduces the manual painterly expression, invoking Minimalism and Abstract Expressionism while acknowledging a distance from their unmediated practice.

John Henderson has had solo exhibitions at venues including Galerie Perrotin New York, Hong Kong, and Paris; Proyectos Monclova, Mexico City; T293, Naples and Rome; Carl Kostyál, London; Peep-Hole, Milan; and the Museum of Contemporary Art Chicago. His work has been included in group exhibitions such as Per_forming a collection #3, Museo MADRE, Naples, Italy; Anamericana, American Academy in Rome; Expanded Painting, Prague Biennale 6; and Phantom Limb: Approaches to Painting Today, Museum of Contemporary Art Chicago. Henderson’s work is featured in the collections of Moderna Museet, Stockholm; the Museum of Contemporary Art Chicago; Museo Madre, Naples; and Walker Art Center, Minneapolis.

Produced by Perrotin, 2013
Digital print on Fine art 100% cotton paper
50 x 70 cm | 19.6 x 27.5 in
Edition of 300 signed and numbered by the artist

Perrotin will donate proceeds from this edition purchased now until Jan. 15th, 2022  to the Audre Lorde Project, a non-profit organization supporting Lesbian, Gay, Bisexual, Two Spirit, Trans and Gender Non Conforming People of Color at a center for community organizing, focusing on the New York City area. 

Farhad Moshiri’s mixed-media practice spans painting, assemblage, and sculpture. Inspired by pop art and conceptualism, he has developed a profoundly hybrid aesthetics at the crossroads of the Middle East and the West. While he usually draws his motifs from American consumer culture (comics, advertising, pop music), he reinterprets them through equally clichéd traditional Persian craftsmanship. His embrace of delicate ornamental techniques, ranging from hand embroidery to calligraphy, offers an ironic and powerful contrast to his otherwise lowbrow visual references. His signature use of sparkly materials (beads, glitter, diamonds) further creates a palpable tension between the primarily figurative quality of his works and their inclination toward pure embellishment. Beneath its humorous and light appearance, Moshiri’s oeuvre takes on a slightly subversive dimension by touching upon his native country’s current transformation.

Published by Perrotin and Nahmad Contemporary, 2021
Hardcover, 333 pages
25.5 x 31 cm | 10 x 12.25 in 

Produced by the artist, 1975 - present
22.9 x 15.2 cm | 9 x 6 in
Mohawk Vellum 65lb acid-free archival paper
Crystal clear polypropylene archival slipcover
Unique in series of 450

Each Sketchbook includes a signed, original drawing in red archival ink bound directly into the book. Sketchbooks are hand numbered by the artist. Each Sketchbook is protected by an acid-free book jacket with a replica of the original drawing inside sketchbook. 

Many dozens of Barbara Nessim’s sketchbooks up to the present day, shelved
chronologically in her studio, reflect the creative traffic between her different
modes of production. Since the early 1960s, Nessim has had her sketchbooks,
as both an aesthetic sounding board and also a platform for ideating her
innovative illustration art.

Responding to the 1950s’ social pressures for women as objects of fantasy,
Nessim’s clever and insightful counter-narratives go beyond strictly conforming to feminist art’s rejection of sexualized treatments of women’s bodies. Nessim’s engagement with cultural conceptions of womanhood, female identity and conventions of beauty naturally continues into her current work.

About the artist:

Barbara Nessim (b. 1939, Bronx, NY) is an artist whose daring and prolific
work, spanning five decades, defies narrow categorization. In its broadest sense, her artistic production has straddled fine art and illustration, all the while pushing against and reshaping the boundaries of the separation between the two fields. Nessim was one of the first artists in her profession to explore and make extensive use of the computer as an artistic tool at the dawn of the computer age in the early 1980s. Nessim’s artworks have been exhibited at numerous institutions in North America, Europe, and Asia, including the Louvre, The Whitney Museum, The Cooper Hewitt Museum, The Smithsonian Institute and The Norman Rockwell Museum. Her work has graced the covers of Time, Rolling Stone, and The New York Times Magazine among others. Honors include the Pratt Lifetime Achievement Award (2015) and induction into the Society of Illustrators Hall of Fame (2020). Notable solo exhibitions include London’s Victoria & Albert Museum (2013), Bard Graduate Center Gallery (2015), and Malin Gallery (2021). The Victoria & Albert now holds eighty of Nessim’s works in their permanent collection.