Produced by Perrotin, 2025
Lithograph with hand-painted watercolor by the artist
250 gsm BFK Rives paper with deckled edge
12 x 9.8 in | 30.5 x 25 cm 
Edition of 35 + 5AP + 5SP
Signed and numbered by the artist in graphite

Two additional prints from the series are available here. Limit of one of each design for each household please. Perrotin reserves the right to cancel any sale for any reason.  

This print ships from Perrotin New York mid-May 2025. Additional shipping fees may apply after purchase depending on location.

About the series:
Coinciding with GaHee Park’s solo exhibition Not Quite Tomorrow at Perrotin Paris is the release of three new lithographs made in a limited edition of 35 and then painted with watercolor by the artist. 

Printed at Idem Paris, each work reflects Park’s signature motifs and visual language. Lovers in the Lake captures an intimate moment between two figures, while Visitor at Seafood Planet reimagines the still life tradition with an eerie, surrealist twist. Park’s stylized compositions and distinctive use of pictorial space suspend her subjects in a collapse of time and place as in Moment in Between, where the subject exists in a fragmented state of being. In this suite of lithographs, Park creates a world that delicately fluctuates between quiet contemplation and ambiguity.

Produced by Perrotin, 2025
Velvet flocking on 100% cotton t-shirt 
Available in sizes S - XL in unisex sizes
Made in France

Produced by the artist at Simca Print Artists, 1984 
46 layer screenprint on Arches Cover white paper
Print size: 76.2 x 106.68 cm | 30 x 42 in 
Frame size: 113 x 81 x 5 cm | 45 x 33 x 2 in 
Edition of 90 
Signed, dated and numbered by the artist in graphite

This artwork is sold framed. Additional packaging and shipping fees will apply after purchase by quote for non-local clients. 

About the artwork:
Three screenprints that Graves completed at Simca Print Artists in New York over a period of six months reveal the evolution of the artist's work and a new direction for her printmaking. The first, 5745 was commissioned as a benefit for the Jewish Museum, New York. Graves visually quoted from two objects in the museum's collection: a second-century Roman terracotta votive offering in the form of a woman's head crowned with a wreath, seen in the print at upper left, and a fragment of a fourth-fifth century Byzantine mosaic of a dove, seen at lower right.

She also included an array of organic motifs reminiscent of those in her direct-cast bronze sculptures. Graves reinterpreted the composition in Six Frogs. With this series, the artist began to use the sequential process of print-making – numerous screens, creating overlapping layers of color and form, to manipulate the ease which with the viewer is able to discern the fragmented images buried in her prints. 

Produced by Takashi Murakami / Kaikai Kiki Co. Ltd, 2022
Offset print, cold stamp and high gloss varnish
17ø cm | 28ø in 
Edition of 300
Signed and numbered by the artist 
Perrotin stocks numbers 144 and lower 

Additional shipping charges may apply after purchase depending on location. Ships flat-packaged in original Kaikai Kiki packaging. Limit of 2 per person/household please. Perrotin reserves the right to cancel any sale for any reason. 

Produced by MSCHF, 2024
Screen-print on Heathered grey cotton with polyester details 
Wavy elastic waist-band and wristbands
Graphic elements vary for each piece 
Unisex sizing 

Produced by Arsham Studio x Brand X Editions, 2022
26 layer silkscreen on 100% cotton archival paper 
Print size: 101.6 x 124.4 cm | 40 x 49 in 
Frame size: 121.9 x 144.8 cm | 48 x 57 in
Frame details: Splined maple wood with Cotton Ball lacquer, OP-3 UV plexi surface, hinge mounted on 4ply coroplast, cleat backing
Limited edition 112 of 199
Signed and numbered by the artist

Additional shipping fees may apply after purchase depending on delivery location. 

From the studio:
GROTTO OF LAOCOÖN is Daniel Arsham’s third print edition created at the legendary print studio Brand X Editions in New York City. This edition is based on a monumental painting made by the artist for his solo show at König Galerie in the fall of 2021. The painting depicts a scene 1000 years into the future or in the past where humans explore a cavern containing a massive crumbling sculpture of the Greek seer Laocoön.

Arsham's use of scale and perspective references the 19th Century German Romantic painter Caspar David Friedrich. GROTTO OF LAOCOÖN is created from 26 individual silkscreens on 40" x 49" Archival 100% cotton paper. Produced in a limited edition of 199, this edition comes in custom Arsham Studio designed linen and silver embossed packaging. Each Edition comes complete with a pair of embroidered Arsham Editions art handling gloves intended to be worn at all times when handling the work. Each print is hand-signed and numbered by the artist and authenticated by a transparent holographic seal of authenticity on the included COA card.

Published by Royal Museum of Fine Arts Belgium x Petzel, 2025
Hardcover, 156 pages
22.9 x 28 cm | 9 x 11 in
ISBN: 9789077013366

Orders placed now are signed by the artist. Copies are in very good but not perfectly pristine condition. Limit one per person / household please. 

From the publisher:
In his foreword, Kim Ooosterlinck, General Director of the Royal Museums of Fine Arts of Belgium, illuminates the significance of the artist’s contribution: Smith represents the first woman contemporary artist to be hosted by the Magritte Museum. Magritte’s influence on Smith is profound: she makes direct reference to him through her work, placing an apple, a burnt-out candle, and rocks in her compositions. While inspired by the iconic artist, Smith also extends her own shrewd, feminist-informed approach, challenging the gatekept, and often exclusionary, art historical conventions which Magritte himself helped seal into place. Approaching the female body, particularly the nude, with a female gaze, Smith questions the relationship between gender, surrealism, and the institution of painting itself.

In her expansive essay, writer and curator Virginie Devillez unpacks the salient motifs and modalities of Smith’s visual vocabulary, including Smith’s appropriations of (and responses to) her Surrealist forebearers. In this way, the reader is exposed to the full range of Smith’s representational strategies, drawing on Surrealism and Pop Art, in addition to Neoclassical allusions, Symbolist works, Art Nouveau magazines, and more. Lastly, Devillez generates a comparative study of both Magritte and Smith’s biographies, revealing surprising convergences between the artists’ lived experiences.

Produced by Atelier JR, 2024
Color lithographic print on Marinoni machine on 300 gram BFK Rives paper
Hand-made collaged layers with charcoal
31 x 46.4 x 4 cm | 12.2 x 18.3 x 1.57 in
Framed in natural wood
Edition of 50 
Signed and numbered by the artist in pencil with embossing 

This collage print comes with frame. Additional shipping charges may be necessary after purchase depending on location. 

Co-published by Perrotin, 2014
Hardcover, 96 pages
10 x 13.5 in 
Text by John Yau, Alain Badiou, Hans-Ulrich Obrist
ISBN: 9780986060694

This title is rare and out of print. Copies in stock remain in pristine condition.

Pierre Soulages has gained international recognition as a prominent figure of both art informel, which arose in France during World War II, and abstract expressionism, its American counterpart. From the 1940s to the 1970s, black progressively conquered the surface of Soulages’s calligraphic abstract paintings, which also incorporated subtle hints of color (mainly ocher and blue). His aesthetics radically shifted toward monochrome in 1979, when he initiated his lifelong series Outrenoir. He has been known as “the painter of black and light” ever since. Literally translating as “beyond black,” Outrenoir opens onto a new realm that transcends purely gestural and monochromatic abstraction. Systematically applied in thick layers on canvas, black paint is meticulously scraped, striated, and overall sculpted to create smooth or rough areas that reflect light in various ways. By masterfully turning black into a luminous color, Soulages powerfully evokes the genesis of the world, which came out of darkness.

Handmade by the artist
Porcelain with gold trim 
9 x 11 cm | 3.5 x 4.3 in 
Unique 

About the artist:
Dana Yoeli is multidisciplinary artist whose work is imbued by nostalgia, memory and ceremonies. When her grandmother - the ceramicist Agi Yoeli- passed away, she started working with ceramics as well, and took over her Tel Aviv studio. For Hayom, Dana Yoeli created a personal interpretation of Judaica objects in white glazed porcelain and gold luster, that are inspired by nature and its ever changing eternality. The thread that is weaved between the two women and generations charges the pieces in a poetic sense, which seem both contemporary and timeless. The pieces are adorned with conches, shells and botanic elements sculpted free handedly and molded into shapes that are sensual and convey the feeling of ephemerality of life.