Produced by Perrotin, 2023
70 x 50 cm | 27.5 x 19.6 in
Offset poster, open edition 

Limit of 5 per person / household please. Perrotin reserves the right to cancel any sale for any reason. 

Produced by MSCHF x Gufram, 2024
Soft polyurethane, plastic
26 x 10ø cm | 10.2 x 4ø in
Made in Italy
Holographic authenticity card with edition number 
Limited edition of 300

This item ships without delay from Perrotin New York. 

From the collective:
Based on Gufram’s 1972 CACTUS® by Drocco and Mello. Coat stand of soft polyurethane finished by hand with Guflac®. A design icon, modified for cell reception. Pump those frequencies straight into your head.

Produced by Perrotin, 2022
Offset print 240 gsm paper
70 x 50 cm | 27.5 x 19.6 in 
Limited edition of 100, Signed and numbered by the artist 

Standard version of this poster is available here. 

Produced on the occasion of the exhibition Free Land Scape. On view at Perrotin New York from June 23rd - July 29th, 2022. 

About the artist:

Published by DANGXIA Art Space, 2023 
25.4 x 17.8 cm | 10 x 7 in 
Softcover, 70 pages 
Text in Chinese and English

Published on occasion of the artist's exhibition titled Sirens at DANGXIA Art Space in Beijing, September 15 - December 15, 2023. 

Published by Perrotin, 2024
Cotton-bound hardcover with hot-stamping, 224 pages
23 x 30.5 cm | 9 x 12 in
Essay by Leanne Sacramone
Text in English

ISBN: 9791091539470

Produced by Kaikai Kiki Co. Ltd., 2022
Archival Pigment Print + Silkscreen
Image size: 45 ø cm  | 17.7 ø in
Sheet size: 50 × 50 cm | 19.7 × 19.7 in
Edition of 100
Signed and numbered in graphite

Limit of one per person/household. Additional shipping charges may be invoiced after purchase dependent on location.

Produced by Seletti
Glass, MDF, hand foiled brass
45 x 80.5 cm | 17.7 x 31.7 in 
Open edition

Additional shipping  charges may apply after purchase depending on location. 

Published by Editions Xavier Barral, 2011
256 pages, clothbound hardcover and dust jacket
23 x 33 cm | 9 x 13 in
Text by Jean-Jacques Aillagon, Laurent Le Bon, Philippe Dagen & Jill Gasparina. Photographs by Cédric Delsaux

ISBN: 9782915173727

Takashi Murakami, who has a PhD in nihonga painting, combines the most cutting-edge techniques with the precision and virtuosity of traditional Japanese art. Inspired by manga and kawaii culture, his irresistible world is peopled by monstrous and charming characters alike, facetiously portrayed as descendants of past myths. His theory of the superflat aesthetic, which he introduced in 2001 with the trilogy exhibition he curated (the third part was titled “Little Boy,” a reference to the code name for the atomic bomb dropped on Hiroshima in 1945), attempts to blur the boundaries between popular art and high art; the superflat movement has explored the evolution of Japan’s understanding of its post-Hiroshima condition and the interrelationships between vanguard art, manga and anime, and their forerunner, ukiyo-e woodblock prints. The absence of perspective, the two-dimensionality of ancient Japanese art, filters into every medium.

Since his first monographic exhibition outside Japan in 1995 at Perrotin, Murakami has achieved recognition as one of the most prominent contemporary artists of his time, and his work has been featured in numerous solo exhibitions at museums and art institutions throughout the world.

Benny Cruz, 2024
Uni Posca Mop'r paint on NYC Subway map paper
Unique in series started in 2020
Signed by the artist

Produced by Beiqiu Museum of Contemp. Art
Silicone bag with zipper closure and adjustable fabric strap
Bag size: 16.5 x 16 cm | 6.5 x 6 in
Strap length: 93 cm | 38 in
Open edition made in ltd. quantity

Made on the occasion of the artist's exhibition at the Beiqiu Museum of Contemporary Art - Nanjing City, China. More information here. 

About the artist:
Gabriel Rico’s work is characterized by the interrelation of seemingly disparate objects. A self-proclaimed “ontologist with a heuristic methodology,” Rico pairs found, collected, and manufactured materials to create sculptures that invite viewers to reflect on the relationship between humans and our natural environment. He frequently uses neon, taxidermy, ceramics, branches, and more personal pieces of his past to create an equation or formulation, achieving a precise geometry despite the organic, roughly hewn character of his materials. His installations ironically and poetically combine natural and unnatural forms, insisting on a necessary contemplation of their asymmetry as well as our own cultural and political flaws.