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Gregor Hildebrandt - Dreimal und Abermals Dreimal
Gregor Hildebrandt - Dreimal und Abermals Dreimal
Gregor Hildebrandt - Dreimal und Abermals Dreimal
Gregor Hildebrandt - Dreimal und Abermals Dreimal
Gregor Hildebrandt - Dreimal und Abermals Dreimal
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  • Load image into Gallery viewer, Gregor Hildebrandt - Dreimal und Abermals Dreimal
  • Load image into Gallery viewer, Gregor Hildebrandt - Dreimal und Abermals Dreimal
  • Load image into Gallery viewer, Gregor Hildebrandt - Dreimal und Abermals Dreimal
  • Load image into Gallery viewer, Gregor Hildebrandt - Dreimal und Abermals Dreimal

Gregor Hildebrandt - Dreimal und Abermals Dreimal

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Produced by VogelART and Knust Kunz in cooperation with Perrotin, 2019
Bronze, made with lost-mold casting
15.3 x 95. x 9.5 cm | 6 x 3.8 x 3.8 in
Edition of 44
Signature and number engraved on bottom
Each edition has unique characteristics. 

About the artist:

Gregor Hildebrandt’s signature media are cassette tape and vinyl, which he collages and assembles into apparently minimalist yet latently romantic paintings, sculptures, and installations. Resting in silence behind the glossy surface of his analog aesthetics, which verges on black and white monochrome, music and cinema haunt his practice. Whether pictorial or sculptural, all of his works contain prerecorded materials, which he references in the titles. These pop-cultural sources, usually a single song, are meant to trigger both collective and personal memories. Like analog storage media, his distinctive rip-off technique is a metaphor for the mnestic process itself: it consists in rubbing magnetic coating against double-sided adhesive tape stuck on canvas to trace intricate and elusive powdery patterns. Further relating to architectural Gesamtkunstwerk, Hildebrandt’s monumental sonic barriers made of stacked, bowl-shaped records and his sensual wall curtains made of unreeled tapes create paths for the visitors of his shows.