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Hans Hartung - rmm 246 - L 1966-4, 1966
Hans Hartung - rmm 246 - L 1966-4, 1966
Hans Hartung - rmm 246 - L 1966-4, 1966
  • Load image into Gallery viewer, Hans Hartung - rmm 246 - L 1966-4, 1966
  • Load image into Gallery viewer, Hans Hartung - rmm 246 - L 1966-4, 1966
  • Load image into Gallery viewer, Hans Hartung - rmm 246 - L 1966-4, 1966

Hans Hartung - rmm 246 - L 1966-4, 1966

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Produced by the artist with Erker-Presse Saint-Gall, 1966-1970
Lithograph (crachis and airbrush) on BFK Rives vellum paper
Image size: 48.1 x 50 cm | 18.9 x 19.7 in
Sheet size: 56 x 76 cm | 22 x 29.9 in 
Edition of 61
Numbered in graphite, stamped by Hartung Foundation
 

About the artist:
Hans Hartung achieved international recognition as a seminal figure of art informel, which arose in France during World War II. Beyond the apparent spontaneity of his distinctively bold and almost calligraphic gestural abstraction, rationalism equally informed his style, which arose out of an early interest in the relationship between aesthetics and mathematics—particularly the harmony of the golden ratio—but also out of necessity: early in his career, he meticulously squared up his successful abstract sketches in order to reproduce them on larger canvases, which he could not afford to risk losing to improvisation. The Grand International Prize for Painting, which he won at the 1960 Venice Biennale, marked a decisive turn in his practice. Hartung began improvising directly onto canvas and experimenting with new media, namely fast-drying acrylic and vinyl paints, as well as scraping and spraying techniques. The quest for balance between spontaneity and perfection remained at the core of Hartung’s painterly aesthetics until the end of his life, in 1989.